Jessica Simpson Women's Single Breasted Walker Coat
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Larry Levine Women's Hooded Pea Coat
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Fleet Street Women's Wool Walker
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I have used this jacket under my ski jacket on cold winter days skiing as well as just general wear in cold Oregon weather. I love it! The Aegean Blue is a rich dark turquoise and is beautiful. The polyester fleece is soft and wicks moisture away from your body. It is a medium weight and not overly bulky. I would love to have a couple more in different colors!
"Help us create a ripple of good around the world with purple acts of kindness. Update your status to share what you're doing to spread holiday joy, then inspire others to join you by asking, "You in?"The site revolves around briefly describing your good deed in a Yahoo status message, which is then plotted on a global map. Right now messages include things like "Connie is buying coffee for everyone at work today. You in?" and "Dropped off supplies to the local Humane Society and to the local women's shelter". And then there are gems like this one: "I just returned a case of wine that was mistakenly delivered to our house. Husband had to be dragged along w/this decision."
Yahoo! will also be doing our own purple acts of kindness inspired by your updates. So whether you pay for someone's groceries or drop off a coat for the homeless, you'll be encouraging people around the world to join in acts of kindness."
What’s hot
While news reports all around the world keep screaming about the crisis, designers stubbornly continue to declare that nothing can stop ladies from shining. One of the main trends of the season is all things expensive and sparkly, including gold and silver, gems and crystals.
This trend is best celebrated by Prada’s dresses of crumpled brocade that look like they are made of solid gold, slinky tricots and armor-like rigid dresses by Alexander McQueen, dresses studded with colorful gems by Emilio Pucci, and Yves Saint Laurent’s monochrome shimmering gowns of emerald green and claret colors.
By the way, shiny fabrics are not just meant for evening wear: nude-golden and silver skirts, trousers or harem pants can be worn any time of day. A gold-colored trench coat by DSquared2 became one of the hottest items this season. But if you don’t dare to wear so much “gold,” at least make sure to get a golden or silver-colored clutch bag or sandals.
The trend for ultimate chic was developed further by Dolce & Gabbana who offered an absolute royal look with Tudor-style dresses with big lantern-shaped short sleeves and belts of ribbons, bows and gems. Etro and Blumarine richly adorned collars of their dresses with beads and gems, cutting a need to wear any additional jewelry.
Those truly elegant ladies will appreciate the suit becoming a top fashion. Whether you prefer to wear a tight skirt or pants with the jacket just make sure to look less office-style and more sexy. Dolce & Gabbana and Marc Jacobs presented a 30s movie star look with black jackets and skirts, belts and hats, while Givenchy’s pantsuit resembled a tuxedo.
By the way, even if the full suit is too official for you, you cannot avoid buying jackets. This season it has to be slightly oversize and long with wide shoulders, as if tailored for a man.
One of the true must-haves of the season is overalls. These are mostly offered in white, black or neutral colors, with loose tops and wide trousers or harem pants. Max Mara’s version resembled an elegant evening gown, while Stella McCartney’s was a combined pantsuit.
Get ready for the biggest fashion surprise of the season – pajamas and nighties suddenly made their way into everyday wear. Dolce & Gabbana presented luxurious silk pyjamas-like suits, while Etro and Vivienne Westwood went ahead with much more casual and bold pajamas.
If this is too much for you, try on a nighty-like dress, the sort designed by Isabel Marant – those look very grunge if worn with leather boots. Another element of nightwear style is cream-colored silk shorts (like the ones from Nina Ricci).
Denim, colors and more
The classical American style of denim, leather and T-shirts is making a big comeback. Surely it will make everyone happy – this is the ultimate combination of cool and comfort, and is loved by all.
You can manifest a real free spirit in a white top and an unbuttoned blue denim shirt (Alexander Wang), or by combining blue denim and black leather (Givenchy). Otherwise, try on a military-style jeans jacket by Balmain.
Famous for their love of denim, DSquared2 dressed models in bell-bottom dark blue jeans, jackets and skirts. To make your denim look more cowboy-like, get a leather or suede bag adorned with tassels, or boots with tassels.
In fact, tassels and fringe are a great trend in itself this season, spotted in dresses by Jil Sander, Escada and Alessandro Dell’Aqua, among others.
Other dominating trends feature strikingly bright colors, especially blue, and colorful leopard print – straight from the 1980s. Color combinations have also gotten bold – you can dare to wear yellow with purple or green with pink, as well as match different prints – stripes with peas or checkers.
As far as prints go, it looks like the ethnic style is here to stay, though this year it acquired more of an African twist (Alexander McQueen, Miu Miu, Just Cavalli) – complete the impression with large ear-rings or a turban.
Ladies are encouraged to show more of their body in tight dresses with revealing slits (Herve Leger, Givenchy), short, bra-like tops (Prada, Chanel) and chiffon dresses and blouses, like the ones from Sonya Rykiel and Christopher Kane.
Futurism keeps strengthening its positions in the fashion world – asymmetry, straight lines and strange shapes are seen on the catwalk more and more. This season you cannot do without an asymmetric top, dress or even a bathing suit – be inspired by Hermes, Luella, and Herve Leger.
The most daring futurist, Gareth Pugh, created wild dresses that make a woman look like an alien from another planet.
As for accessories, have a closer look at hats. It can be the 1970s kind with a wide floppy brim (Diane von Furstenberg), a tablet straw-hat (Marc Jacobs) or a classical fedora (Gucci). Another headwear article is a hair band with a bow (see a Gucci).
Make sure to get a reptile skin clutch or a big bag that can be rolled (see Louis Vuitton). Jewelry has to be bulky and bold – big plastic bracelets, beads and chains that run down to your waste, and large ear-rings.
As far as shoes go, heals this season are super high, and their straps are eclectic, made of leather, strings, feathers and beads. The signature shoes this season are Yves Saint Laurent’s black net-boots and amazing glam-rock sandals adorned with bits of metal and white crystals from Balmain.
What about men?
It’s always harder to talk about male fashion, since it doesn’t change so dramatically every season, and very few gentlemen follow it religiously. However, there are a few fashion tips for them too. Shirts of crumpled fabric are not only practical, but also in style this season.
The 1980s trend for washed jeans and glam-rock elements would look most appropriate at a club, and T-shirts with colorful stripes can be worn for any occasion. Pajamas trend concerns men as well – try on a baggy checkered suit.
While women wear oversized jackets, men are offered slim versions with narrowed shoulders.As for colors – a classy combination of black and white, shades of pink and nay blue are very much in style.
A few Kyiv shopping tips
Spring collections are already in store in many Kyiv shops and some of them have the super trendy items – just as seen in pret-a-porter collections in New York, Paris and Milan.
Mango offers a selection harem pants– black, grey and nude, as well as overalls – a funky substitute for a dress. It also has masculine-style jackets with shoulder pads. Dresses with ethnic prints and single-shoulder straps, numerous jeans, shirts, and skirts are all there too.
As usual, Mango carries lots of hats and bags, including clutches – glam-rock style and reptile-skin imitations, take your pick.
Oasis has some one-shoulder asymmetric dresses, chiffon blouses, jeans and harem trousers.
At Castro, keep your eyes peeled for washed denim overalls and black overalls with a strapless top – it would make a cool evening outfit.
Promod offers a range of pretty romantic skirts, many with floral and African prints, as well as wide denim jeans, carrot-shaped pants and a selection of harem and sarouel, or Turkish-style, trousers. Also, don’t miss stylish long jackets, and various dresses – from checkered and striped to chiffon with ethnic prints.
Zara has something from every trend popular this spring and summer. There are sarouel pants, cool leather sandals with strings and wide ankle straps, bags with tassels, futuristic jackets, boots of fake reptile skin, oversized jackets and shimmering dresses, rocker leather jackets, etc. Mexx is a place to look for monochrome outfits of blazing colors, safari dresses and African-prints.
Taken From KYIVPost.com
High street label with a designer approach.
HAVING £100 (RM520) these days won’t get you anywhere much less start a business. But that’s exactly what Karen Millen and her business partner Kevin Stanford did in 1981. With that sum of money, they bought 100m of white cotton which they used to manufacture and sell white shirts to their friends.
The first store opened in Kent, England, in 1983 and from there, evolved the self-fashioned Karen Millen label which has since expanded to become one of the hottest high street labels today.
It was acquired by a fashion group in June 2004 that was later absorbed by another giant fashion retail group.
Millen herself has remained onboard as an adviser, but the creative and design team is now headed by creative director Gemma Metheringham (who has been with the brand since 1999).
“I have tremendous respect for the brand positioning created by Millen and her partner Stanford. Their main focus was to be proud of their products and as a creative person, I have always found that attitude hugely inspirational. There is an enormous amount of love in the products we create,” Metheringham said in an e-mail interview.
With her team of 12 designers, she fashions collections for day, work, party and weekend wear.
“For every piece, we give particular attention to details, from the fabric of a flattering coat to the embroidery of an evening gown, and even the embossed hardware of a signature bag,” she said.
In the over-crowded high street end of the market, it pays to stand out from the crowd. The brand is considered to be in the same league as Reiss, Hobbs, Coast and All Saint, and claims to be the first to give a designer approach to clothes with high street affordability. Karen Millen also takes pride in its flattering sculpted fit outfits.
According to Metheringham, the age of the brand’s customers ranges from 25 to 35.
“She’s confident, glamorous and fashionable with a strong sense of style, yet she’s not a slave to fashion. She’s not afraid of looking good and enjoys wearing clothes she feels fabulous in,” she added.
That’s the clientele in Britain but here in Malaysia, women in their 40s are buying Karen Millen as well. These are mainly professionals and socialites.
“They are highly discerning and appreciate Karen Millen’s distinct signature in terms of garment quality, design details and fit,” she explained.
For the spring/summer 2009 collection, designers looked to the clean 1970s glamour of actress Lauren Hutton, as seen in a silk safari shirt and a pair of well-cut peg trousers mixed with classic tan accessories.
“There is definitely a move towards simplicity and bold colour statements,” said Metheringham.
The team was inspired by London, working in the heart of Shoreditch surrounded by interesting shops, galleries, bars and clubs – fodder for people and style watching. It’s also increasingly apparent that as the brand becomes more global, inspiration sources become more international.
Metheringham talks about the highlights of the collection:
“The collection for summer has a clean modern feel with the focus on mix and match separates, giving a fresh emphasis on style. This is typified in the ‘pockety’ silk satin safari shirt which looks fantastic styled either with flirtatious ruffle skirts or the uber fashionable soft silk dhoti (harem pants) trousers.
“To smarten up for spring, layer jackets over dresses and separates – the favourite being the chartreuse washed leather zip front jacket or the tan studded leather jacket,” she said.
“This is the season to be bold with colour: shake off the credit crunch blues with vibrant shots of acidic limes, citrus orange, tomato and sapphire. If you don’t want to buy an entire colourful outfit, cheer yourself up with colour on your feet like the coral satin sandals with diamante trim. This is definitely the season to experiment with colour and shape.”
There are three main looks to choose from: safari, luxurious sportswear and colour-me cocktail dresses.
The trends that figure prominently are the animal prints mixed with graphic black, given a sportier sexier look in shift dresses and pencil skirts with exposed zip detailing. Mixed snake and zebra, or snake and leopard sandals rule the shoe kingdom.
Metheringham thinks occasion and tailored dresses will fly off the racks here. The Signature halter dress and Graphic strapless dress in particular, will be sellouts.
“For me, if I could only buy one thing, it would be the white fringed bag!”
Taken From TheStar.com.my
When I first applied for a job at the News & Record, one of the things I worried about was having to wear clothes to work.
Decent, working girl clothes.
At the time, I was a freelancer, and as long as I didn't have to meet someone for an interview, I worked in pajamas.
That was about 10 years ago. But I recently found myself agonizing over what to wear to work for the first time in a long time.
A skirt couldn't be too long or too short. Pants couldn't be too tight or too baggy. The hair had to be styled. I needed accessories. No scuffed shoes. No stains, missing buttons or tears.
My look had to be perfect, because I was going to meet -- and interview -- style maven Stacy London.
The witty, raven-haired, impeccably dressed London came to Greensboro to meet with the VF Jeanswear marketing and merchandising staff. She's working with them on the Riders by Lee brand, which she'll be promoting in an ad campaign that launches in April.
For those of you without a clue -- or cable -- London co-hosts the TLC show "What Not To Wear" with fellow stylist Clinton Kelly. It's a makeover show in which they help transform fashion misfits into individuals with a better sense of what looks best on them.
The premise is simple: Fashion victims hand over their wardrobes in exchange for $5,000 and a trip to New York City to replace it. And they must follow London and Kelly's style rules. Transformations usually involve tears and a stubborn refusal to acknowledge that they dress so horribly.
Three things usually bring them around: secret video footage provided by their own friends and family; a three-way mirror that shows just how bad they look from every angle; and a seemingly endless arsenal of witty barbs about their offensive garb. They are shamed into submission.
So, before my interview with London, I ran a lint roller over my black cardigan and pea coat and inspected myself from all angles before the bathroom mirror.
Watch enough episodes of "What Not to Wear," and you even learn the wrong undergarments can ruin a look. London inspired me to invest in seamless underwear, Spanx and padded bras.
I wasn't the only one giving more thought to what they wore to work that day.
VF marketing coordinator Meghan Davis said she definitely gave her attire more consideration. Her co-workers checked themselves, too. There was a buzz around the Wrangler building leading up to London's visit: what to wear, and of course, what not to wear.
I arrived after her meeting with the VF merchandising department. London posed for pictures with several people. She wore jeans tucked into black lace-up boots, a long cream top, black cardigan and a cranberry scarf.
Then it was just London and a group of women talking style. London was -- like Heidi Klum on a runway -- clearly in her element. Merchandising specialist Kristen McQueen, decked in a black hoodie and jeans rolled up at the ankles, sat atop a conference table facing London. McQueen said she wanted to move beyond how she dressed in college.
London never tires of scenarios like this. She gives advice often, whether people ask for it or not.
Her advice to McQueen was simple and immediate: Lose the velour hoodie and take the jeans to a tailor to be properly hemmed.
McQueen's boss, merchandising manager Glenda Strickbine, was next. London complimented the detail in Strickbine's black blouse but advised against wearing black against "mature skin." Basically, older, fair-skinned women, in particular, shouldn't wear black. London suggests navy and chocolate brown.
No black? Strickbine laughed and said, "I could draw a line through all of the clothes in my whole closet."
It was like a scene out of "What Not to Wear," except without Clinton Kelly and the dreaded three-way mirror.
Then it was my turn.
With heels, I am just a few inches shorter than the 5-foot-7 London, who is not wearing heels on this day. She smiles, we shake hands, and she immediately notices the tattoo on my left wrist. She admires the delicate script of my last name, Firesheets.
She says she thought of getting a tattoo when she turned 30 (that was about eight years ago). She asks if it hurt to get tattooed on the wrist. I told her not nearly as much as the Japanese crane on the back of my neck.
And that's how our interview started.
I should not have been nervous at this point. But strangely, what started out as a mild case of nerves turned into full-fledged, knee-knocking anxiety. I was shaking like a half-starved, aspiring model standing before Tyra Banks.
There was no reason for it.
It has been said that her critiques are carried out "with the tenderness of a darning needle." But London knows the line between constructive criticism and mean-spiritedness. Strickbine said London's passion for wanting to make women feel better about themselves is obvious. You can hear it in her voice, she said. That's why people listen to her.
"There's something to building the identity of a person and helping them define that identity and basically building self-esteem," London said. "Fashion as an industry, I think, can be very dangerous. But style for an individual is, like, one of the most empowering tools that women have available to them."
London always loved fashion. As a little girl, she wanted to be a cocktail waitress because it was the only job she knew of that would allow you to wear fishnet stockings to work. Before "What Not to Wear," she was a fashion assistant at Vogue and a senior editor at Mademoiselle. But she felt out of place in that environment.
She wasn't 6 feet tall, and she wasn't 100 pounds.
"As much as I loved fashion, I always felt like I was trying to shove myself into a mold that, just physiologically, I couldn't fit into," she said.
That changed when she turned 30 and stopped fretting about trends. She started wearing clothes that made her feel beautiful, powerful and sexy.
The mantra she shares with women: Don't conform to trends or someone else's idea of beauty. It's about self-acceptance.
And in their show, London and Kelly always identify and teach women how to play up their best features: hair, eyes, small waist, long legs. These features sometimes are overlooked because the women often see only their imperfections.
London wants women to accept the size and shape of their bodies. Accept their age. Even their gray hair. She does.
Large silvery earrings sparkled against her long, thick Pantene tresses -- London is featured in a commercial for the shampoo company. But her contract includes a clause that allows her to keep the signature gray streak she has had since she was 11. She has always loved it and refuses to dye it. It makes her feel special.
That's what she wants "What Not to Wear" graduates to feel by the end of the show: special.
"I'm lucky," she said. "What I do now and what I've been able to learn on 'What Not to Wear' has been really enlightening. It's not just about making somebody look good. It really is about making somebody feel good.
And we underestimate what style and fashion, in particular, can do for women on a day-to-day basis. Because it's a symbol. ... It's a symbol of taking care with one's self, respecting one's self, being kind to one's self."
Women tend to forget this when they're juggling families and careers.
By the end of my interview with her, I start to feel special, too. She compliments my cabernet-hued suede satchel and the teal top under my black cardigan.
OMG, Stacy London liked my tattoos and my handbag!
I left feeling like "America's Next Top Model."
And she almost convinced me that maybe I don't need to dye my gray hairs.
Almost.
Contact Tina Firesheets at 373-3498 or tina.firesheets@news-record.com
Taken From News-Record.com
I now know what it must feel like to be a buyer in an exclusive department store when all the spring merchandise has arrived and I still have a big stock of fur coats in my inventory. Consequently, expect for the next few days seeing a lot the subjects we photographed in fur, as we need a clear out before we go out shooting for spring!
MILAN (AFP) — Shoulders set the silhouette on Milan's catwalks Monday, whether bared for Versace, writ large by Dolce & Gabbana or a fetish for Fendi.
A quintessential Donatella Versace creation sneaks a shoulder out of a flowing grey-blue gown. Elsewhere, shoulder blades are set off by delicate suspenders or a sequined bustier flatters the nape and shoulders.
Necklines plunge to the waist both front and back in Versace's exquisitely draped evening gowns, a triumph of chic eroticism.
Domenico Dolce and Stefano Gabbana unveiled ready-to-wear creations worthy of the highest of haute couture, marrying extravagance with a bit of surrealist theatre.
It was all in the shoulders, whether puffed up in generous fur stoles, frilled out in shocking pink satin or poking up for a more restrained triangular look.
The shoes, too, took off on flights of fancy, with tiers of gold ruffles or flamboyant seashells decorating black platforms.
Tights were finished with satin ruffles up the backs, while gloves forsook hands, serving as eccentric headgear instead.
Marilyn Monroe was a special guest star, appearing on white satin frocks and a silk Mikado evening gown that was the show's finale.
Nature's goddesses -- silver fox, mink, sable -- padded serenely through the urban jungle imagined by Karl Lagerfeld for Fendi, leaving just a suggestion of their presence.
Here, too, strong shoulders determined the silhouette, while fur or feathers softened the edges, whether in the trim or in the lining of a coat, jacket or dress.
The Dsquared twins Dean and Dan Caten of Canada meanwhile combined grunge with cool and lots of airy sophistication in multi-layered outfits.
Ankles were in, poking out of baggy jeans or khakis or this season's de rigueur skintight black leathers and leggings.
Skimpy knit tube minis competed for attention with feathered skirts and trims, while a casual pea coat topped a fancy black gown.
Men's white silk boxers and an unbuttoned shirt baring the midriff, topped by a short black leather jacket, helped create a tousled just-out-of-bed aura.
Max Mara proposed classic lines with a bit of give, as with a loosely defined trench with sleeves cuffed large at the elbows.
Skirts were mainly midis in sober greys, blacks and camel, cut from luxurious fabrics with feminine features -- a satin skirt cinched with a bow summed it up.
John Richmond seduced with shimmering gold off-the-shoulder tops and long black leather fingerless gloves.
A grey Napoleon jacket over midnight blue harem pants and black ankle boots exuded confidence, as did a slate grey jacket over a bare breast and pleated trousers.
Taken From Google.com
The original concept of The Style Scout was to be style in general and you may recall our very first posting about the little cars but we love fashion and quickly went in that direction by our second posting.
However, at London Fashion Week we bumped into David (above) a subject we had photographed a long time ago, who told us about 40 Winks, his stylish new boutique hotel, which we love and wanted to share with you…
PARIS: The emotion of womanhood married to a casual masculine confidence - that is the message from an exceptionally powerful Paris season.
It has been spelled out in specifics over fashion's long weekend of shows. Liquid drapes for womanly shapes have taken over from girly dressing - most often shown with tailoring as the distaff side.
Beauty is the goal, for this autumn 2009 season has drawn a definitive line under the "ugly" aesthetic. You could say that fashion has reached a certain maturity, but that sounds stodgy - the clothes are not heavy, even if solid fabrics have often taken over from the ethereal.
The overall impression is that, in a time of world economic crisis, designers have emphatically staked out their own territory, giving each woman, in the free spirit of liberty and equality, the right to choose.
Feminism is not really a fashion issue, but at Comme des Garçons, Rei Kawakubo makes it so. Her collection trembled with emotion, as her models, flesh-colored veils marked with a kiss of sparkly, scarlet sequins, worn over shocking pink sausage-curl hairdos, created a whimsical wardrobe.
It was based on solid coats, often in khaki with images of windows sketched as pockets. The childlike drawings complemented shoes with toes drawn on the outside.
"Wonderland," Kawakubo said backstage after an ovation greeted this mystical meld of sturdy checked blankets folded into the tailoring, khaki, denim and knitwear - all embraced by a collection that ended where globules of pearls lay under an ethereal coating of tulle layers.
The designer also called it her "secret garden," and it was a wondrous display of clothes embellished not with mundane accessories, but with the unfathomable dreams of a great designer.
Yohji Yamamoto's vision was more immediately accessible: outerwear, streamlined but with subtle challenges to the design status quo. One side of a long coat displaying the shorter hem of a peacoat or a graceful jacket and long skirt with twin zippers slicing the back.
The show's focus was red shoes - soft as slippers and bright as the lipstick that was a slash of color between head and feet. The color came later as patches of scarlet, as if the material had been dip-dyed.
Yamamoto's new collaboration with Ferragamo, melding two companies that both have iconic status in Japan, brought out the best in Yamamoto, whose clothes have always been dedicated to a serene beauty.
That was expressed this season through a quiet exploration of intriguing fabrics, some slightly transparent, others with a raw edge and with little, but strong, color bleeding into black.
Backstage, Yamamoto described the Ferragamo collaboration as an inspiration, with the shoemaker's technique that created soft boots without a seam. The designer's description of "so much quality - something to last" defined the shoes, his own approach to fashion and the spirit of current times.
"Feathers," said Junya Watanabebackstage to describe the inspiration of a collection of such beauty and grace that it had cynical photographers roaring "bravo." The proposal was the down coat - not so new in itself.
But with "Tosca" soaring on the soundtrack and the elegant, shapely long coats and dresses, the show was in striking contrast to Watanabe in his more aggressive, rock 'n' roll mood.
It was perhaps a show on one note. But the designer turned that into an aria, as his noble women, with upswept hair, paced slowly, unfurling a short jacket into an ankle-length coat. The central idea of lightness - even when metallic chains were inserted in the puffy down - was underscored by pleated skirts and draped dresses.
And if there was a hint of the Yohji Yamamoto look in the long coats, this was not a fashion echo chamber, but something Watanabe evolved in his own spirit.
The Maison Martin Margielais certainly in need of help, after its founder has gone on "extended leave," as corporatespeak has it. The mix of intellect and instinct that made the Belgian designer's collections a fashion pacemaker have now become a parody - or even a travesty - of Margiela's vision.
Based on a flesh-colored bodysuit and shown in a stadium filled with floating balloons of light, some acceptable, pieces, like trench coats with cutouts, were interspersed with dresses that turned to show a back naked except for a visible bra.
Of Margiela's rigorous exploration of a personal vision, there is no sign and Renzo Rosso, chief executive of the "Only the Brave" company that owns his Diesel empire, needs to do something fast.
By Suzy Menkes
Taken From IHT.com
We saw a lot of red both on the catwalk and around the tent.
I spotted this woman leaving the tent in a hurry in a great red coat. I asked who had designed it and when she said “I did” I had to ask who she was… it turned out she is Ann Louise Roswald the British fashion designer.
Anyone struggling to get to the shows on Sunday after the long night before of so many parties and events would have been richly rewarded for their dedication by seeing ELEY KISHIMOTO’S new collection which is titled Jet Set Marsala. Here is a movie of the final walk through of the show, which we thought you might enjoy …
ELEY KISHIMOTO A/W '09 from The Style Scout on Vimeo.
If you would like to see more movies of their shows they have the past five years worth of films of their catwalk collections posted at their website...
Perhaps because of the toughening economic conditions, we noticed that the men in and around the shows seemed to be dressed more sartorially than expected at London fashion week…
Girls still want to have fun...As it is London and fashion after all!
We saw a lot of fun fur and associated fabrics from berets to boas….
Finally we met the future of fashion journalism when we were approached by a girl who did not look much older than 12 who asked if she could take a photo of our shoes for her blog. Naturally we obliged and learned that she is also a blogger and has a very cool website…
Look out Anna Wintour …
We wanted to add some photos for you to enjoy as we dash back to the tents. This subject had a great energy and was tall and is you can see from her shoes (also seen on the Ashish catwalk) she became even taller. I also like the matching belt, which I mentioned to her as we were setting up for the shot but she told me “I’m not sure if the matchy–matchy look is still happening”. I reassured her it must be “because you’re wearing it” which made her smile and I think enhanced the photo…
We really loved this girl’s dress, which she told us she had actually found and then personalised and styled by adding the black ribbon and ruching herself…
Taking this shot almost caused an international street fashion photography incident, as unknown to me, kneeling behind me as I setup this shot was Yvan the Facehunter who was upset when I stepped back and almost trampled on him, but caught myself just in time, as he screamed out “I’m not a dog”…
We were delighted to attend the second day of London Fashion Week, and had nice seats at John Rocha, one of the UK’s truly talented high fashion designers. Naturally, this category of design usually focuses on cut and silhouette using a simple colour palette anchored in black, white, beige, taupe or the grey’s and I gasped when unexpectedly, the first of a fabulous group of bright orange pieces, which he called geranium red, hit the catwalk.
At the conclusion of the Topshop event we caught up with old friends and subjects we have photographed before. Susie Bubble was there, looking fabulously stylish as usual and we discussed the new magazine LOVE.
Talking of LOVE, Phoebe Arnold who we met when she was at Pop magazine, and who you may recall we photographed back then is now a fashion editor at LOVE and posed for us again.
I also introduced myself to Pixie Geldof, who initially caught my attention because of her great eye makeup and is not only very stylish but also very nice and was kind enough to pose for a photo.
Finally, if you’re a fan of all the street fashion blogs, you may agree with me that this gentleman, whose name I did not catch, would be a perfect candidate for The Sartorialist. Which, I mentioned to him and a funny coincidence; he knows Scott…